Repulsion is Roman Polanski’s first English language film. It is quite well done. Also, I am in love with Catherine Deneuve. Well, 1965 Catherine Deneuve.
Carole (played by Deneuve) lives with her sister Helen. Helen, has a boyfriend, Micheal, who is married, yet spends a lot of time at Carole and Helen’s apartment, much to Carole’s dismay. It is clear almost immediately, Carole doesn’t like Michael and possibly men in general. Later we find out that this is an understatement. Carole has a boyfriend, or is dating a man named Colin, but tends to shy away from him and sometimes doesn’t even show up for dates. Carole goes so far as to throw away Michael’s razor and toothbrush because he puts them in her bathroom water glass. She doesn’t seem to have a hatred towards men so much as a dislike and even fear of them. This is indicated by actions such as vigorously wiping her mouth off as if it were dirty after being kissed and not letting Colin hold her arm. Helen and Michael go on vacation to Italy leaving Carole alone, and to unravel. Her phobia quickly becomes an extremely disturbing psychotic couple of weeks, and quite a satisfying movie.
This picture is a fine example of how suspense and even silence, can be just as effectively uncomfortable, if not more so, than violence and blood. The telephone and doorbell that constantly ring, the bells outside, the barking dog and the constantly cracking walls (that perhaps symbolize Carole’s ever deteriorating sanity) are all supremely employed to make the viewer quite agitated and feel somewhat overwhelmed. Contrary to that, there are long periods of silence that are also quite unnerving, especially when used during 3 hallucinatory rape scenes. I found the use of silence in these scenes particularly, to be a brilliant choice. Yes, this is without a doubt one of the best directed films I have ever seen. Also, Deneuve, is simply superb playing Carole. As Carole spends time alone in her apartment, she sits in the dark, lets food rot and just generally deconstructs. We can speculate that the reason for her madness is molestation; she constantly is wiping herself off suggesting that she feels unclean. She hallucinates that arms are coming out of the walls and grabbing her, once specifically on her breast. She also appears to have at least a slight desire to be with a man sexually, but at the same time is (cleverly) repulsed by it. Molestation is not directly addressed in the film, however. It is suggested, by a photograph of a clearly unhappy Carole as a child staring at a man (Father?), but nothing further to confirm this or any other reason. It really is not relevant in my opinion and not knowing for sure just makes the film more eerie (as it may suggest the possibility that the fear is just plain irrational and has no basis in reality). At the very least, not confirming one way or the other is just a brilliant director’s choice to leave something open to interpretation. There is also a bit of violence as well, which I think was well placed to release the tension that was built up prior to those scenes. You would be hard pressed to find things not to like about this film.
I feel like a lot of people hear the name Polanski, and cannot remember a movie that he directed, with the exception of Rosemary’s Baby (or perhaps The Ninth Gate, unfortunately). I suggest starting with this film, and moving up his resume to get to know this filmmaker.
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