Movie Scum

With this week’s Terminator Genisys coming out to a host of potential and a good early word of mouth, of course the conversation has turned into making more money. And of course, Terminator is in talks to have a TV show spin-off. But wait? Wasn’t there a Terminator series already? One that was critically lauded and beloved by fans cut short by a writer’s strike and ended its short run with a cliffhanger? By god, you’re right! That was Terminator: The Sarah Conner Chronicles! According to Skydance CEO David Ellison, a new TV series is in the development stages and of course will tie into the larger Terminator franchise as is the norm for just about every damn property these days. The dream for us would be to be able to obviously make films, television shows, we have a video game with Glu, comic books, and they all should be standalone experiences. If you just watch the movies or if you just watch a television show, it’s a complete experience. Of course, expanding popular

As Randy so eloquently put it in Scream 2 , sequels by their very definition are inferior works. Often times they are derivative and lack any imagination that made their predecessors so powerful. But most sequels aren’t bad per se, just worthless. These sequels though are bad enough to almost make you angry at the series for spawning such dreck.

A crude talking anthropomorphic teddy bear and a war hero dog. Which should I take the kids to see? Ted 2 Seth MacFarlane certainly didn’t win any friends after his last film, A Million Ways to Die in the West or his Oscar-hosting gig or the legions of folks who think he’s a talentless hack riding on the animated coattrails of The Simpsons . But I liked the first Ted and I can tolerate Family Guy even if it’s whatever the opposite of appointment TV. MacFarlane’s problem is MacFarlane. His juvenile schtick wasn’t too robust to begin with and that seems to be all he has going for him. Sure, people still like him. I still tolerate him. He’ll be fine with the 13 hour animated block he has on FOX every week. But I’d be surprised to see Ted 2 do as well as the original did. Tides are shifting, man. Max With the trailer proclaiming Max is from the director of Remember the Titans (uplifting!) and a producer of Marley & Me (gut-punching), I think it’s pretty safe to as

Zombeavers   has no business being as good as it is. Stop me if you’ve heard this premise before. A group of horny co-eds go to an empty cabin in the middle of nowhere and are picked off one-by-one by some gruesome, unstoppable force of nature. Since this basic gist describes the vast majority of horror films produced in the 80s so you’d be forgiven if your appetite wasn’t enthusiastically whetted. However, where before we had masked psychopaths with questionable parental supervision, here we have killer beavers. More specifically zombified killer beavers. It’s fantastic. Co-screenwriter/director Jordan Rubin is clearly well versed in the tropes of the horror films of yore. We have our batch of easily disposable victims, simple and close-minded locals that no one pays attention to, and gloriously cheesy practical effects when the ZOMBEAVERS come knocking (and chewing) at the door. I was reminded of Adam Green’s Hatchet   while watching this as it is an attempt to recreate the h

While I don’t hold out much hope for Batman V. Superman , Ben Affleck is not a point of my consternation. Given his resurgence as a powerful actor/director combo, I trust Affleck will be the least troubling part of DC Comic’s epic superhero movie of 2016. It’s just the shaky director, the overstuffed cast, and the gimmicky premise that has me questioning my future earnings on a box office ticket. But a solo Batman flick, simply titled The Batman , not only starring Affleck but also directed by him too? Count me in. At this point it is merely a rumor posited by Latino Review that Affleck will be in the director’s chair but I’d argue that’s a fine choice for whatever direction DC decides to take Batman. Affleck has already proved his worth in his previous directorial efforts of Gone Baby Gone , The Town , and Argo (factually notwithstanding) and I’m anxious to see what his take on the iconic character will look like when not shoehorned in with every other damn DC Comics char

Terminator Genisys : Opening July 1 The Good : Reboots are all the rage these days in Hollywood, especially since that means they can make a buck from movie-goers dying to see their favorite franchise in better places than ... say Terminator Salvation. Genisys (stupid spelling aside) seems to sort-of buck that trend with a page ripped out of Back to the Future 2: revisiting familiar faces and places but with a different twist. Given the complexity of the time-travel machinations, this doesn’t seem to be a bad choice. Also, the Mother of Dragons as Sarah Conner looks pretty good too. The Bad : This is the fifth movie in this franchise. James Cameron pulled off a miracle in Terminator 2 with larger stakes, bigger action pieces, and a story that mattered. Most sequels these days apply that template but forget to fill in the rest of the details. It is possible this is one such tale that leaves the paint-by-numbers pieces blank. The Prognostication : Decent reception if only beca

After a few false starts and broken dreams, Dimension Films is again readying to unleash Michael Myers on film-going audiences. Bloody Disgusting reports that plans have been unveiled for Halloween Returns *, the eleventh installment to the franchise whose on- and off-screen butching has been around since 1978. Returns (not to be confused with Halloween 4: The Return of Michael Myers ) will be written by Feast and Saw scribes Patrick Melton and Marcus Dunston with Dunston set to direct. The story (as if it mattered as long as there is no white horse around) is that Myers in now on death row for his crimes but escapes (natch) and has in his targets a child of a former victim and a tough-nosed cop who is obsessed with Myers. Probably also other semi-naked, horny teens since this is a latter day Halloween film. From the cast reports, this installment seems to return the series back to its original continuity from the first two films rather than continuing Rob Zombie’s insanity o

As N ick Offerman ’s character says in 22 Jump Street , no one gave a shit about the “Jump Street reboot” but it did well enough to be brought back again. Only everyone wants the exact same thing. Fortunately, this movie is smarter than to retread standard sequel ground. After a illegal goods bust gone bad, Jenko ( Channing Tatum ) and Schmidt ( Jonah Hill ) are reassigned back to the Jump Street project, still under the direction of the angry black captain Dickson played by Ice Cube, to go undercover to college and investigate a new synthetic drug. Everyone emphasizes that Schmidt and Jenko are to do the exact same thing to crack the case. Directors Phil Lord and Christopher Miller know well enough that standard sequel shenanigans won’t cut it after the meta-infused original that skewered the idea of Hollywood recycling and unoriginal ideas. As such, Lord and Miller turn their attention to the notion of second outings, and their built-in expectations of more of the first film

Unbreakable   was a modest success for director M. Night Shyamalan after his genuinely good (remember when that was true) debut and now, Night longs to bring it to TV. Speaking with IGN , Shyamalan expresses interest in continuing the saga of undercover superheroes (note: I haven’t seen this movie in forever) saying. “as a way continue the story, yes. That would [interest me].” We here at Movie Scum are strongly in favor of the shift to great, truncated TV dramas but are hesitant that M. Night (regardless of whatever acclaim his recent show Wayward Pines is getting) should be allowed anywhere near the same medium as The Good Wife , Game of Thrones , or Breaking Bad . And let us not forget that he directed The Happening . And The Last Airbender . And After Earth . And ...

San Andreas : Opening May 29 The Good : Disaster movies are fun, especially when they take place (like they seem to do the majority of the time) on the West Coast full of granola-crunching hippies singing Kumbaya (note: I’ve never been further west than Ohio). Disaster movies these days are also good for mediocre special effects showing the complete destruction of iconic areas and landmarks and San Andreas looks no different. But if anyone can take on the mother of all earthquakes, it’s The Rock with sidekick Carla Gugino. The Bad : Let’s be honest though. The disaster movie genre of the 70s is long gone and it took with it any sense of characterization or possible realism. San Andreas is a Hollywood producer’s wet dream with big blockbustin’ stars, action, effects ... the whole nine yards. And boy, does it show it in every single trailer or TV spot I’ve seen for this with the crumbling buildings, massive chasms in the ground and a 100’ tidal wave that The Rock(!) powers a speed

Aside from a voice-over role in Gnomeo and Juliet and an assuredly special episode of Walker, Texas Ranger , Hulk Hogan has mostly kept his hijinks in the fake ring of professional wrestling. Will that be changing soon? Not since Hogan and Tiny ‘Zeus’ Lister faced off with the smarmy assistant from Ghostbusters 2 in No Holds Barred have I been as excited about The Hulk appearing against a bunch of wrinkle-faced mutants (Gremlins 2 not withstanding). The Hulk confirms talks with Sylvester Stallone about appearing in the presumably forthcoming Expendables 4 as the villainous villain who no doubt will kill and maim and bring our rag-tag team of Expendables (and maybe -belles) together. Considering The Rock is likely a good twenty years away from taking this role, Hogan seems like a good fit. I just hope they can find a suitable stunt man.

In a grim look a at teenager’s life, White Rabbit shows that some people are born to be hunters and some are molded that way. Tim McCann ’s film is at times not predicable and at others you can completely see everything unfold. Beginning with Harlon ( Nick Krause ) as a boy whose father eggs him into killing a trapped white rabbit and jumping forward through the years to show the systematic abuse he suffers from classmates, teachers, and even his own drug-addled and drunk father, it is clear that Harlon is not emotionally stable. Couple this with his obsession with a comic book that he speaks to, Harlon has little in his life of note with the exception of Steve, a younger boy also forced to suffer at the hands of society. Things begin to get better when Harlon meets Julie ( Britt Robertson ), a new transplant into his high school who has issues of her own but the two forge a bond and almost a relationship through alcohol, drugs, and shooting guns in the small town. Soon though,