Movie Scum

Somewhere between Peter Weller deciding to hand over the RoboCop suit to Robert John Burke , the big wigs at OCP, or whatever big business in charge, decided that RoboCop needed to be more family friendly, thus leading to the first PG-13 film in the series. Never mind the fact that the original is a gory mess, even for an 80s movie, and the sequel probably expended more rounds than the Persian War, some damn parental board decided RoboCop should be a corporate product complete with action figures and cars and even it’s own spin-off TV show not too much later. Hence: RoboCop 3 . Since the last installment, old Detroit has gone to shit even more, OCP has merged with some Japanese company, and a military-esque team is brought in to force them damn ghetto people out by force for the construction of OCP’s idealistic Delta City. Luckily the ragtag team of CCH Pounder , Stephen Root , Daniel von Bargen , and a cute, smart displaced girl with uncanny computer skills decide to fight the pr

It’s almost funny that Irvin Kershner , director of the undisputed best Star Wars movie, was tapped as the director of RoboCop 2 . While I can’t say I’ve seen any of his other works, he seems to be the studio-appointed and restrained errand boy as opposed to Verhoeven on the original. So naturally with the law of sequels, RoboCop 2 features most of the same players but with a bigger foe in the titular character. Stripped of its social and historical allusions, RoboCop 2 is just another sequel that attempts to up the ante with less else new to offer as the evil conglomerate OCP attempts to recreate RoboCop from a psychotic drug dealer. Surprisingly things don’t work out as planned which fortunately leads to one of the best police shootouts on film. But instead of the heroic journey that Murphy endures in the original, here he is sidelined and neutered. Even though the finale of the last film had Peter Weller’s character realizing he is more than simply a corporate product of dest

With the release of the newest RoboCop reboot trailer which I must say has me intrigued, I wanted to officially revisit the original of which I've seen approximately 413 times. While the argument can be made for just about any remake, RoboCop is one of the few "old" movies that has more cultural relevance today than it did upon it's release. Big conglomerates, similar to OCP, are basically running the United States; the city of Detroit is bankrupt and probably will snap up any corporate sponsor it can, and between drones and the NSA and everything else we know nothing about, technology seems to be far outpacing our ability to harness it. If it sounds like I am paranoid, I am (not really at least). But basically all of this was foretold twenty-six years ago with arguably Paul Verhoeven 's most complex film, excluding Jesse Spano in her Showgirls stage. Much like many of the age-inappropriate movies I consumed under the age of 10, the themes and allusions o

SCENE: SWANKY CONFERENCE ROOM FILLED WITH OCP INVESTORS Old Man: Our system of entertainment is under assault and dangerous crime. The real crime: unoriginalty. In an effort to replace Hollywood with our own Delta City CA, we need a cop who not only has the weapons to fight these street thugs but the resources to use them. Ladies and gentlemen…. I introduce to you …..