Movie Scum

As of this writing, Wikipedia lists 456 American films classified as slashers. Sprinkled among the well-known franchises like Friday the 13th and semi-famous one-offs like Dr. Giggles are a hodgepodge of lesser-known titles. Here is a sampling of films that I want to see based solely on their titles.

I know. I’ve already reviewed Scream 4 once before. It was hardly an impartial review though since it had been eleven years since the premiere of the preceding movie and it was not too thorough since I banged it out after a midnight showing opening day before going to work. But, since it was just released on DVD and Blu-ray this week, why not take another look? Beginning with a dizzying number of “opening” sequences, Scream 4 sets the action back in Woodsboro as Sidney (Neve Campbell) has returned on a book signing tour and reunited with Dewey (David Arquette) and Gale (Courteney Cox) who are now married. Dewey is now the Sheriff, Gale is retired from reporting and unsuccessfully trying to write a fiction novel, and Sidney is the proverbial black cat who is constantly followed by death and despair. The mayhem starts up again as Sidney’s cousin Jill (Emma Roberts) and her friend Kirby (Hayden Panettiere) watch as their neighbor is savagely (and I mean savagely!) butchered by Ghost

The thing I most worried about upon seeing Scream 4 was that my giddy anticipation for the film would render any objectivity null and void. Thus, while I gather my thoughts to obtain my truly valid response to the film, let me give you some quick thoughts on it. Some of the nagging issues I had with the previous sequels have been corrected with a cast that is much more fleshed out and relatable than the Ghostface fodder of before. This time, the characters are  ü ber-aware of horror films, both new and old, which results in interesting conversations but causes some of the surprise to dampen as even the characters are aware of what is to come. The script is not as tight as the first and feels more intent on poking fun at the remake/reboot trend as well as the previous films in the series than breaking any new ground. There are some clever call backs to the original film as it tries to be a combination of continuation and reboot at the same time. The returning cast of Neve Camp

To my recollection, Scream 3 was the first R-rated movie I “legally” saw in theaters once I was of age. Perhaps that is why I had so many fond memories of it even though the troubled production and distinct lack of the main character had given others a critical leg to stand on. I figured I would like Scream 2 more this time around but the end result was about the same. Would my Scream 3 memories fare any better? Well, yes and no. By 1999, writer Kevin Williamson had been involved with several Scream-ish productions as well as launching the pinnacle of teen angst, Dawson’s Creek. Thus he was either too busy to return or was burnt out from young adult affairs. Likewise, Neve Campbell was reportedly difficult to nail down for this installment, agreeing to it only with a reduced schedule (and thus reduced screentime). Since the rest of the important cast and crew returned, we have what seems to be a Scream movie, but doesn’t really feel like a Scream movie. The first lampooned h

It is notable that for the duration of the Saw series , production company Lionsgate was able to keep banging out a new movie in the series less than a year apart with only two major duds out of seven. After the success of the first Scream , Dimension Films surely was quick to retain writer Kevin Williamson and director Wes Craven for a follow-up that incidentally is set two years after the first. If real time had followed the story time, Scream 2 potentially could have been the best of the series but it comes off feeling rushed. Scream 2 does have the distinction of being one of a select few movies where the sequel mostly measures up to the first, albeit in different ways. In fact, some notable people (either Siskel or Ebert*) found this movie more likable than the first. The first film of course was packed with references to horror films throughout but Williamson takes the story of the survivors from the last story and interjects it with clever reminders of why this movie sh

When I first saw Scream in theaters with my dad almost fifteen years ago, I did not care for it. I can’t really say why but the first viewing did nothing for me; I didn’t hate it but I was mostly just ambivalent towards it. Later that year, Digger had a copy on VHS which I watched again and fell in love. Here was a horror movie that was not afraid to pull punches, was not bogged down in some ridiculous backstory (see the Halloween entry from the prior year), and had a sharp wit to it. Since then, Scream has been in constant rotation of the movies I randomly watch. Mainstream horror in the mid-90s was not in a very good state. I’m sure there were plenty of indie or straight-to-video releases of whatever installment the Hellraiser or Puppet Master series were on but all of the big franchises were either completely finished or creatively drained. Scream came along to fill the void in a way that is still astonishing that it hadn’t been done before (at least not to the same degree of