Movie Scum

It's no secret that Hollywood producers are scared to death of original ideas. One just has to look at the past decade of films to see that most big budget movies released in theaters are adaptations of existing stories (novels, short stories, and most recently, comic books) or sequels of successful and some not-so successful films. (seriously, Jumper 2 ?) But now, we are living in the age of the remake, and it pisses me off to no end. Why adapt or continue a good story when you can just take a preexisting movie and re-shoot it? There's already a built-in audience that loves the property, and that audience doesn't have to be worried about coping with new ideas or unexpected plot twists. Just look at the release line-up for 2010 and 2011. It's packed full of “new” movies that are remakes of classics, remakes of foreign films, and, most absurdly, remakes of remakes. I'll forgive that some older movies like Fritz Lang's Metropolis from 1927 might benefit from a

No one can deny that the trucker turned film-maker James Cameron has been one of Hollywood's biggest movers and shakers of the last several decades. Movies like Aliens , The Abyss , and Terminator 2 have not only cemented Cameron's name in the halls of movie history, but were also big parts of my childhood, shaping my expectations of how amazing a science fiction film could be. After a twelve year hiatus and some deep sea documentaries, Cameron returns to the director's chair for his new sci-fi opus, Avatar . The story is fairly simple. A paraplegic space marine named Jake Sully ( Sam Worthington ) is dispatched to the alien world of Pandora, where a corporate mining operation is trying to gather a rare and expensive mineral ore. The planet is filled with giant, aggressive creatures, chief among these being an intelligent tribal culture called the Na'vi. To avoid violence, the company's scientists, headed by Doctor Grace Augustine ( Sigourney Weaver ) have engi

The word “versus” is usually reserved for boxing matches, Supreme Court cases, and film titles that begin with the name Godzilla or Gamera . I imagine that this film was intended to entertain the same head space as other giant monster classics, but Mega Shark vs. Giant Octopus falls short of even that minimalistic criteria. This flick comes to us curtsey of The Asylum , a direct-to-DVD company with a rather dubious track record. Mostly, they make cheaply and horribly produced movies with titles suspiciously similar to big-budget blockbusters. Such movies include Transmorphers , Death Racers , Sunday School Musical , and The Day the Earth Stopped , most likely hoping that confused consumers hunting for the latest releases will buy their movies by accident. I'm almost amazed by a company who's marketing strategy seems to have been devised by some giant, carnivorous plant. But I'm not talking about those flicks, I'm talking about a movie with a plot and production valu