Movie Scum

With the release of the newest RoboCop reboot trailer which I must say has me intrigued, I wanted to officially revisit the original of which I've seen approximately 413 times. While the argument can be made for just about any remake, RoboCop is one of the few "old" movies that has more cultural relevance today than it did upon it's release. Big conglomerates, similar to OCP, are basically running the United States; the city of Detroit is bankrupt and probably will snap up any corporate sponsor it can, and between drones and the NSA and everything else we know nothing about, technology seems to be far outpacing our ability to harness it. If it sounds like I am paranoid, I am (not really at least). But basically all of this was foretold twenty-six years ago with arguably Paul Verhoeven 's most complex film, excluding Jesse Spano in her Showgirls stage. Much like many of the age-inappropriate movies I consumed under the age of 10, the themes and allusions o

Written by: PBF First off, I have never read the graphic novel, so I swear to God, if you negate my review if this film wasn’t faithful to the source material, I will sick Kane Hodder on you. S cott Pilgrim vs. The World is 100% pure entertainment. Every fucking thing about it. From the comic booky words that fly on the screen, to the insanely clever script that is basically a group of well constructed lines stacked in order of hilarity that assemble a story. Visually, aurally, intellectually and otherwisely this film is extremely pleasing. It’s almost guerilla like in its blatant disregard for seamless scene transitions. Which, by the way, is awesome. Pretty much every scene or line is completely unexpected and hilarious. There literally is a laugh about every 1.5 seconds. I have accused Michael Cera of being repetitive in his characters. This is the first film in which even though he still employs some of the same traits, I did notice that he does actually distinguish his

I may have said it before, but let me reiterate: 1994 was a huge year in movies for a young Puck. Today’s random movie was one of the apexes of my love for movies. I saw Speed in theaters only once but I more than made up for it when it was released on VHS (ahh, nostalgia). Within a week, I was quoting the movie verbatim to all of my discerning middle school friends. They thought I was a loon. Perhaps they were right. But then again, Speed kicks ass. So, I claim victory even if none of them will know it. Almost immediately, Speed kicks off with a rather enthralling opening that is actually relevant with rest of the movie! A mad bomber has rigged a downtown L.A. elevator with a bomb that spells doom for the dozen or so passengers on board. With some quick thinking by S.W.A.T. members Jack ( Keanu Reeves ) and Harry ( Jeff Daniels ), the bomber’s plans are thwarted and the passengers saved with the bomber allegedly blowing himself up once the jig is up. Sometime later, Mr. Bomber

Do you know what most low-budget independent movies lack? Well, a lot of things normally. A decent script, competent direction, halfway tolerable actors, and so much more are typically absent in some of the lowest of low budget movies I’ve suffered through. Do you know what this movie lacks? A few dollars and a big studio behind it. Otherwise, Dawning is an excellent example of how a few talented people with a modicum of cash can make a film that the big budget affairs should strive for. Apparently, Dawning spent an inordinate amount of time (or perhaps a normal amount for this budget range) in development in different stages, reshoots, and the like. Given the final product, this is no doubt a good thing. This film even perfectly illustrates why I don’t like being around family: it’s awkward. Chris ( Jonas Goslow ) and Aurora ( Najarra Townsend ) are trekking out into the middle of nowhere to meet up with their father and stepmother at their cabin. There is certainly a lot of hist

If you read this site or have watched any of our episodes, you will know the level of respect and … love we have for Chris Nolan. Yes, PBF may have a sick fascination with Weekend at Bernie’s but even he does not particularly laud Robert Klane because WAB does not equal Dark Knight , Batman Begins , Memento , and now Inception  on any level. Here we have a rare movie from a gifted filmmaker that is able to transcend multiple genres and their corresponding cliches and deliver one of the most intellectual films to overshadow anything else this year and probably many years’ films to come. Even after watching the damn thing, the plot of Inception is rather dense but it boils down fairly simply even though it strips out the very nature of the film. Cobb is a theif trained in the art of extracting thoughts and ideas from a person’s head while they dream. However, he is tasked with a job that even many on his team describe as impossible: implanting an idea into one’s head that is concei