Movie Scum

Written by: PBF MacGruber , if you didn’t already know, is a Saturday Night Live sketch that parodies a little show called MacGyver, which ran from 1985-1992. It was beloved by Americans and Bouvier sisters alike. MacGyver never used guns, but rather he would fashion some sort of weapon out of every day items. This premise begat several phrases, such as “MacGyver it.” The SNL sketch usually lasts 30-90 seconds, and involves MacGruber and his partner Vicki St. Elmo trapped in a room trying to defuse a bomb. Hilarity ensues and the sketch ends with an explosion, as MacGruber is unsuccessful at his task. This is the latest addition to the sketch-turned-movie universe, which is quite a mixed bag of good and bad. The premise of the movie is fairly basic. Dieter Von Cunth steals a nuclear warhead and wants to destroy Washington D.C. Cunth killed MacGruber’s wife, so the task of stopping him becomes personal.

A few episodes ago, PBF and I talked about movies inspired by true events and I was rather dismissive of this film. Yes, The Blind Side is at its core a film more oriented towards female viewers that goes over the top with sentimental gestures of faith and love. But it does feature football and statistics have shown that approximately 94% of men either love or are interested in football. So, how does a sure-fire date movie turn into a Best Picture nominee? Michael Oher is a wayward young who has bounced from home to home after being separated from his mother several years earlier. He comes to study at the Wyngate Academy, a private Christian school attended mostly by the families of upper crust in society. His presence is an annoyance to his teachers due to his academic challenges and he stays mostly isolated from his affluent, caucasian classmates. After Michael is befriended by her young son, Leigh Anne Tuohy realizes that Michael has nowhere else to go and brings him home. Ove

War movies are an interesting beast. Having never been in these situations, I am sure the real life events of these movies can range the broadest spectrum of emotions from anger to fear to relative happiness. Rather than stick with these basic, primal emotions, recent films (especially those on the recent wars in Iraq and Afghanistan) have attempted to interject politics and the hand-wringing of whether it is right or wrong, mostly to the detriment of the film (at least for what I have read on movies like Redacted). Just like zombie movies, some films are made with a social commentary and underlying thought interwoven in the story while some are just straightforward tales about the subject matter. I am truly happy that Hurt Locker took the latter approach to telling a story about three men in an army of thousands who are just trying to make it through each day. The vast majority of the movie takes place with the company of three men, each a member of the Army’s Explosive Ordinanc

Written by: PBF Satan’s Little Helper is a delightful little film in which you can hear the word Satan uttered at least 20 times, see a cat used as a paintbrush, and hear a young boy’s desire to marry his sister. Dougie, I am going to have to assume is retarded, delusional, or just an idiot. He is a young boy who is quite obsessed with a game called Satan’s Little Helper. He plays it on his computer and this really odd looking portable gaming device that I bet even WiFi Pirate has never seen. Dougie is also wearing a costume at the film’s opening, that was made for him, of Satan’s Little Helper. He is on the way with his mother (Amanda Plummer) to pick up his sister Jenna, who for some reason he says that he wants to marry. Jenna brings her boyfriend Alex home, and Dougie does not care for this. All Dougie wants to do is go trick or treating with Jenna and find Satan. And he will be damned if Alex is going to cock block him (he really only mentions marrying his sister twice, but

If ever there was a case of an entire film being sabotaged by its final act, it is Martyrs . It begins ever so forcifully like a deleted scene from High Tension , Inside , or other French survival films and quickly ratchets up a good amount of scenes between the two lead girls. However at the one hour mark, an odd detour and shoehorned exposition turn a great horror film into random scenes of senseless violence. I have nothing against violence if it serves a purpose in a film. Here it just destroys the previous sixty minutes' good work.

Written by: PBF The movie Dead Alive is called Braindead in every country but the United States. So, you know, if you find yourself in another land, and want to rent this, call it that.

Whenever you turn around, zombie movies are fornicating as they seem to breed more bastard offspring than most other genres like Irish-assassins or Die-Hard-on-a-blank movies.

Now, I get that this is a really broad generalization encompassing over a hundred different actors but the Nightmare on Elm Street series seems to have been a showstopper for many an actor. All one has to do is peruse through the IMDb pages of the various films in the series to see several who have stopped working, taken extended hiatuses, or have been relegated to brief TV-show appearances or DTV movies. While this phenemonon is also apparent in other long-running slasher series as well, for now we are talking Freddy. So let’s dig in. Lin Shaye: Random Teacher (Original) Being the baby sister of the studio head can’t hurt but Lin Shaye has managed to carve out a pretty decent resume. She was in There’s Something about Mary, Snakes on a Plane, both Dumb and Dumber movies, and Boat Trip? Okay, I didn’t say these movies were good but at least a good chunk of her appearances make a (albeit probably brief) appearance in theaters says something. Breckin Meyer: Spencer (Freddy’s Dead)

According to Box Office Mojo, the 1994 kids’ sports movie Little Giants grossed a meager $19 million in its theatrical release. Why is this movie relevant in a review for Wes Craven’s New Nightmare ? The Rick Moranis and Ed O’Neill PG-rated family movie had the distinction of being released within a week of New Nightmare . As such, I saw New Nightmare at least seven or eight times in theaters via Little Giants. I also had a VHS copy of Man’s Best Friend , the Ally Sheedy-starring Cujo-ripoff just because it was the first with a preview for Nightmare 7 before its release. For the record, I believe I watched the movie once and the opening previews at least a few dozen times. You see, somewhere between 1990 and this film’s release in 1994, I became very obsessed with horror films (healthy for an 8-year-old, huh?). When I first got wind of the newest Freddy film involving Heather Langenkamp and Wes Craven , likely through some random issue of Fangoria, I was excited. When watching it

Written by: PBF I am not sure if this poster is from the new A Nightmare on Elm Street. In a similar fashion, I really was not sure what I was watching when I saw the film. I would like to say that the only reason I am reviewing this, as opposed to Puck, is because I just happen to have seen it first. Puck has given us an incredibly insightful and brilliant analysis of the original franchise thus far, and I am eager for the remaining installments. I also, having not had a computer for a while, have not contributed anything to the site as of late. So, with Puck’s approval, here is my review. I will spare you a plot synopsis, as it is the same story. Freddy hunting and killing teenagers in their dreams as revenge. Between the 8 other movies that feature Freddy and Puck’s recent reviews, if you are not already familiar with the plot, I question your comprehension skills and you will not find this review helpful at all. So, I guess the thing that bothered me the most about this

Way back when I rewatched and reviewed Hatchet , I commented on how most movies that attempt a combination of horror and comedy (in any percentages) usually suck ass. Now upon watching Freddy’s Dead for the first time in quite a while, I feel that above statement may be too harsh for some other films that may try horror/comedy but fails. This is because Freddy’s Dead also tries that combo but fails EPICALLY! There is a theory about long running franchises and how the first film you see in theaters ends up being your favorite. While that holds true for James Bond, Freddy’s Dead was the first Nightmare film I saw in theaters and that just makes me more angry. I would also like to apologize to Nightmare 2 as I previously held it tied with Freddy’s Dead for worst of the series. Nightmare 2 is brilliance dedicated to film comparatively. Where I may have been able to enjoy Part 5 due to some effort that was put forth towards it, every single person involved in this movie seems to be o

I will admit that I was not looking forward to A Nightmare on Elm Street 5 as part of this ongoing game of catch-up with the original films. Previously, I have been more or less ambivilent to the film as it is not the worst, is not the best, but falls into that middle ground also safely occupied by its predecessor. Due to the extreme condition of diminishing returns over the life of the franchise thus far, I had expected it to fair quite poorly, especially compared to the commercially-acclaimed Part 4. While this is in no way a good film, director Stephen Hopkins and at least one of the three credited screenwriters on this film had their hearts in it. Yes, I know that this movie is rated in the same league as Freddy’s Dead and Part 2 as far as quality goes but I felt this movie at least tried to not only stay within the growing cannon but also return to tension and scares over goofy puns and elaborate death scenes. Notice I say tried because for all the praise I could give this

So now we come to the fork in the road. Nightmare 3 has ended. A sequel is greenlit. I would imagine the head honchos at New Line sitting in the conference room thinking about how to best continue the series. I would guess by this point Freddy had become fairly mainstream if I, a six-year-old at the time, had seen a fair amount of merchandise, television promos, and previews for the last films. So, instead of continuing on the path of relative excellence established by the previous film, Bob Shaye turns Freddy into a laughably bad stand-up comedian on a beach, presumably to click with more teens and more dollars. One might say this was a good choice as this film more or less launched Freddy into stardom, but it was at the expense of a good series to that point. For some reason, I have historically really liked this film in spite of the about-face in technique. It was, and to a point still is, a pretty fun movie to watch but man did it piss me off this go around. I chalk that up to